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By Alejo Carpentier

Recreando tiempo, lugar y motivaciones de una composicion musical, Carpentier escribio un relato cuya trama se inicia en Coyoacan en los primeros anos del siglo xviii, prosigue en Cuba, toca incidentalmente algunos sitios de Espana, pasa por Roma y culmina en ambitos de Venecia, de donde describe las carnavalescas mojigangas y en cuyas incidencias se entrevera lo contado en esta novela.

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C· - . ; ~. · . ', . ", : .. ;":. '. : . :. " ~:".. ", :. \ ' , : i . " I" ';' • I . • , ," . - , " , ~" '. , • I :, . : . ' ':. '. : ,'J 'I', ; . . I I :,;: '~ "~, . . , • ", If· .. ' '; - ~ ~ I, • - . ,! ' " .. )~' .. '. ·r:. -;... ' " . ~ ~ 1,1 " - ·r-. ' .. ,' . ;~"" ... :: ~~'I' . ,J, II ' :: .... \~ . 'Il'~. "... , , ' " ' ,, " , ,. I . ' . . :. . . ," ',,; mitting outrages. Black-hearted Giron knew that the good Friar Juan de las Cabezas Altamirano would be on the haciendas of Yara, a few leagues from the coast) visiting his diocese as bishop of this island that was formerly named Fernandina "because when first it was sighted by Grand Admiral Don Cristobal, a King Ferdinand ruled in Spain who, according to a saying of the people of olden times, amounted to as much as the queen, possibly because it was the king's duty to mount the queen, and in the intimacy of the marriage bed, who is to know who mounts whom, since whether the male mounts or the male is mounted, is a matter that ...

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