By Jacquie D'Alessandro
Get eventually now earlier than this specific sale ends!
A attractive Regency-era romance novella!**
"Jacquie D'Alessandro writes romance at its mesmerizing best!"--*New York Times
Bestselling writer Teresa Medeiros**
Her earlier is ready to meet up with her and the scandal may well fee her everything...After indulging in a torrid affair, a countess leaves her good-looking Scottish lover at the back of within the highlands. but if he exhibits up in London, every little thing she holds expensive is threatened.
If you like Julia Quinn, Teresa Medeiros, Lisa Kleypas or Stephanie Laurens, try out AT LAST!*
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The principles of marriage . . . in accordance with leave out Annabel Essex
A husband needs to be:
Make that very wealthy. She's had sufficient of leaky roofs and thread-worn garments.
London is the heart of the civilized global, and Annabel has a keenness for silk and sizzling water.
Good-looking will be great, yet no longer useful. comparable for clever.
Isn't she fortunate? She's came upon simply the fellow! And her selected wife is not anything just like the impoverished Scottish Earl of Ardmore, who has not anything yet his stunning eyes, his brain—and his kisses—to suggest him.
So what merciless coincidence positioned her in a carriage on her solution to Scotland with simply that impoverished earl and the entire international considering they're guy and spouse? drowsing within the related mattress? let alone the sport of phrases begun through the earl—in which the prize is a kiss. And the forfeit . . .
Well. They *are* nearly married, after all!
"When Captain Gabriel Drake earns a royal pardon and springs domestic to Cornwall, he discovers the daddy with whom he was hoping to reconcile has died, together with his older brother. Gabriel all of sudden reveals himself increased to lord of the manor with the extra trouble of being answerable for his five orphaned nieces.
"*The pampered daughter of a duke … *
Lady Arabella Tremont has spent her complete existence secure and overshadowed via her restrictive father. yet she is a Tremont, in spite of everything, and the morning after she is almost ruined at a ball through a good-looking stranger, Arabella's father calls for she make an prepared fit with the inheritor to a dukedom. In desperation, Arabella takes concerns into her personal hands.
*Takes a London vacation with the main wrong of chaperones … *
Major Kingsley is in London to prevent his parents' dreadful condo get together. To his shock he runs into the enticing—and unforgettable—minx he met at a ball the former evening. Arabella, or Birdie, as he is aware her, insists he owes her 3 favors—for he's positioned her in a negative pinch. Kingsley concurs, if purely to hold up his journey domestic and as the proposal of spending the day with this mesmerizing little bit of muslin is just too tempting to withstand. yet all too quick he discovers Arabella's requests are infrequently what he anticipated …
"**In the ultimate crimson Carnation novel from the *New York *Times bestselling author of *The Mark of the dead night Manzanilla*, Napoleon has occupied Lisbon, and Jane Wooliston, aka the red Carnation, groups up with a rogue agent to guard the escaped Queen of Portugal. **
**Portugal, December 1807. **Jack Reid, the British agent referred to as the Moonflower (formerly the French agent referred to as the Moonflower), has been stationed in Portugal and is expecting his new touch. He doesn't count on to be paired with a woman—especially now not the mythical red Carnation.
All of Portugal believes that the royal relatives departed for Brazil earlier than the French troops marched into Lisbon. merely the English govt understands that mad seventy-three-year-old Queen Maria was once lively away through a gaggle of loyalists made up our minds to rally a resistance. yet because the French garrison scours the nation-state, it’s just a subject of time prior to she’s chanced on and brought.
It’s as much as Jane to discover her first and make sure her protection. yet she has no wisdom of Portugal or the language. although she is loath to confess it, she wishes the Moonflower. working by myself has taught her to appreciate her personal barriers. yet she is familiar with higher than to teach weak spot round the Moonflower—an agent with a name for brilliance, a bent towards insubordination, and a heritage of going rogue.
- An Improper Proposal
- The Shocking Secret of a Guest at the Wedding (Millworth Manor, Book 4)
- A Loving Scoundrel (Malory-Anderson Family, Book 7)
- The Wickedest Lord Alive (The Westruthers, Book 3)
- A Rogue's Game (Mistress Trilogy, Book 3)
- The Sinner Who Seduced Me (Regency Rogues, Book 3)
Additional info for At Last
Prodesse and essample Within the framework of the estoire, Benoît’s rhetoric is by no means directionless: expansion for the sake of expansion, on the assumption that a longer text is necessarily a better one. Like any other author composing for a courtly audience, he is attempting to make the narrative attractive; hence, for example, his preference for direct as opposed to reported speech, his deliberately anecdotic framework in which events are proposed as self-contained episodes, even his fondness for concrete images rather than abstract concepts.
I am grateful to the museum’s Director, Monsieur Paul Mironneau, for bringing this manuscript to my attention during a visit made in February 2005. Godfried Croenen has conjectured that a librarius such as P. de Liffol, inspired perhaps by the success of manuscripts of the Grandes Chroniques de France, might have anticipated a comparable success by having copies of Froissart’s Chroniques copied and illustrated to a similar design, with no preconceived idea concerning particular patrons or clients.
133; its painter was described by Millard Meiss in a review published in 1956 as a follower of the Boucicaut Master: ‘His masterpiece, an apocalypse that belonged to Jean de Berry (Morgan 133), shows a boldness of color that matches the powerful designs … broad expanses of yellow, red, green, often brought up to chalk white and displayed before rich maroon backgrounds (Plate 11). These colors are laid on with a freedom that is reminiscent of the wash-techniques prized especially in the Netherlands.