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By Lukasz Bogucki

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48 Areas and Methods of Audiovisual Translation Research Audiovisual redundancy ln Changeling, Angelina Jo lie's character, a mother, is seen running frantically fro m one room of her house to another, repeatedly screaming the name of her son, who has gone n1issing. The Po lish subtitles keep repeating the name (W alter) every time she shouts it. This is quite unnecessary, as the son has already been introduced to the audience and it is obvious that the grief-stricken mother is repeating his name.

T. T. dzwoni dom" attempts to render the pidg in grammar of the o rig ina l, but whether it preserves its rhythm is debatable. In the case of subtitling, one way to ensure qu ality is through specia lised software. s, name ly translation memory programs used in specia lised translation, help achieve consistency by imposing previously accepted solutions on trans lators. Subtitle templates may also reduce the number of potential errors. The ratio nale behind this is similar to the idea of translation constraints (chapter three), which are to be seen as assets rather than obstacles, helping the translator make the right choice rather than limiting his or her creativ ity.

Thorough research into foreign language competence is underway. htm. Accessed on March 27, 20 12. 48 Areas and Methods of Audiovisual Translation Research Audiovisual redundancy ln Changeling, Angelina Jo lie's character, a mother, is seen running frantically fro m one room of her house to another, repeatedly screaming the name of her son, who has gone n1issing. The Po lish subtitles keep repeating the name (W alter) every time she shouts it. This is quite unnecessary, as the son has already been introduced to the audience and it is obvious that the grief-stricken mother is repeating his name.

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